1601 · NATIONAL GALLERY, LONDON
Supper at Emmaus
The larger file loads only when you open the viewer.
THE INSPECTION ROOM
A moment of recognition
DRAG OR ARROWS TO PAN · +/− TO ZOOM · ESC TO RESET
Catalogue facts
The title
Supper at Emmaus is the title used for this entry in the source catalogue.
The date
c. 1601 means an approximate date, rather than a firmly documented year.
The record
The collection and status above identify this particular entry. They do not confirm that the painting is currently on public display.
The moment of recognition
Two disciples have met the risen Christ without recognising him. At supper, his blessing of the bread reveals his identity. Caravaggio catches their astonishment: one rises from his chair while the other flings his arms wide. The innkeeper watches without sharing their revelation.
A painting for a Roman patron
Commissioned by Ciriaco Mattei in 1601, this work followed Caravaggio’s success with the Saint Matthew paintings in Rome. It entered the National Gallery’s collection in 1839.
Light, space and the table
Light from the left picks out faces, hands and food against the dark interior. Foreshortened arms and the projecting elbow draw the viewer towards the table. The fruit basket hangs over its edge, making the painted world seem close enough to touch.
The bread recalls the disciples’ recognition of Christ. Ordinary objects and worn clothing make the miracle feel part of everyday life.